Showing posts with label Eileen Delehanty Pearkes. Show all posts
Showing posts with label Eileen Delehanty Pearkes. Show all posts

Saturday, May 05, 2018

ON THE HEALING PROPERTIES OF FORESTS

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Late Starter


All night I’m cold,
terrified of every sound
especially the ones I can’t hear. 
Hungry, of course, the O’Henry bar long gone, 
cigarettes too,
amazed I’ve done this thing,
sixteen, first-time runaway, 
always the late starter.

In the morning I come down from the mountain,
see my mother looking over the bank,
see her relief when she looks up.

She is smaller than I remember.

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When I was sixteen I spent a night up the mountain behind our house. One Sunday in late April, after an argument with my mother, I headed off wearing jeans and a light ski jacket over a long-sleeved sweater, wanting to get away by myself. I climbed up higher than I usually did and sat on a log, despairing over my life as teenagers sometimes do, and then it began to get dark. I started to go back down, but pretty soon it was hard to see where I was going. Shadows everywhere and the occasional cracking of a branch in the distance soon had my heart racing. What if it was a bear? Were they coming out of hibernation now? A cougar? Far below me I could see the flickering lights of some of the houses on the ridge below. I found a rock I could press my back into that was right behind a large evergreen and there I spent the night. I remember watching those distant houses as one by one the lights went out. I was cold and scared and it was a very long night, but I still recall how leaning into that rock and touching that tree kept me sane.

Why am I telling you this? Last night I went to see a couple of films about forests and how important they are to us all.

First up was A 6,000-mile Search for Beauty, a short film by Amy Allcock written and narrated by Eileen Delehanty Pearkes from a manuscript-in-progress about her travels in 2016–17 when she was researching rainforests and climate change. She's been quietly blogging about her travels, little snippets that will surely find their way into her new book. Her posts are accompanied by wonderful photographs and sometimes even pictures of maps she's drawn in her notebooks. Back in September 2016 she blogged about going into the Incomappleux Valley.

One of the spring-fed ponds in the Incomappleux. Photo by Eileen Delehanty Pearkes

The second film was Damien Gillis' Primeval: Enter the Incomappleux, and you owe it to yourself to take 50 minutes and watch this sobering yet stunningly beautiful documentary about a part of BC that is the only Inland Rainforest of its kind on Earth. Some of the trees in the Incomappleux are over 1,000 years old and up to four meters in diameter. Old trees such as these host several varieties of lichen, a staple food for mountain caribou whose numbers are decreasing every year thanks to their preferred forest habitat being opened up by clearcutting or by recreational machines that pack the snow, thereby making it easier for predators like wolves to approach them.

Preserving one of the few old-growth areas left would seem to make sense, and yet it could be logged at any time as one of the largest lumber producers in the world holds cut block licenses for the area. 

When the film ended Valhalla Wilderness Society members Craig Pettitt and Amber Peters fielded questions from the audience, and then we were treated to some delicious snacks provided by Isobel, (I'm sorry I didn't check the exact spelling of her name and therefore invite corrections) in hopes we'd stick around and write a letter in support of having the area become a park with all the protections thereto appended. After seeing the film I'd have written even without the food!



Humans. We always seem to be at odds with each other over something—pipelines, housing issues, and just about anything to do with governments. The Valhalla Wilderness Society's website has a handy page you can look at should you wish to write a letter in support of the proposed Selkirk Mountain Caribou Park. It has the names and contact information of relevant government officials, both provincial and federal, as well as a list of points you can reference when you write. There's also good information to be heard during an interview with director Gillis on CBC Radio's North by Northwest. 


Map image from Valhalla Wilderness Society handout re Selkirk Mountain Caribou Park proposal

What made me think of my night on the mountain so many years ago? There's a scene in the Incomappleux film showing how, in order to get into the rainforest, hikers have to cross a creek via a log. On my way to climb up my mountain I had to get to the other side of Duhamel Creek the same way. It seems that anything worth getting to, worth saving, deserves a little effort. 

How about writing a letter?

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Sunday, July 10, 2016

ELEPHANT MOUNTAIN LITERARY FESTIVAL 2016 -- THE LITTLE FESTIVAL THAT JUST KEEPS GETTING BETTER

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Just back from a great weekend where I got to immerse myself in words and wine. Words, because it was Nelson's Fifth Annual Elephant Mountain Literary Festival. Wine, because the opening gala has a wine-pairing thing where four different writers are "paired" with four different wines, and you get to try them all out as long as you're not driving; thanks, Ted! The only thing I missed was Caroline Adderson's talk on craft on Wednesday night, and already I'm kicking myself. (I'd just got my studio painted and was attempting to put it back together). Missed seeing Lynn Krauss, who's been part of the festival organization committee pretty much since EMLF began. Next year we're going to see her dancing!

Thursday night's 100-Mile Gala saw the Richard Carver Award for Emerging Writers go to two deserving people. Here's Alanda Greene of Kootenay Bay whose historical novel Napi's Dance was published by Second Story Press

Co-winner of the Carver Award, Donna Macdonald, whose book Surviving City Hall was published by Nightwood Editions earlier this year.

Jazz singer Jill Barber entertained the enthusiastic audience with a few songs.
Jill's husband, Grant Lawrence's reading included some old diary notes about the first time he visited Nelson as a young guy, when he was touring with The SmugglersHe was also frequently spotted wearing the cutest baby!
 Leesa Dean and P'nina Shames working the book table.
Will Johnson (who has much better pictures from the evening on his blog as he was using a real camera) read from his story that won the Kootenay Mountain Culture fiction contest. 
Fletcher Fitzgibbon also read from his prize-winning KMC story.
"Reading the Earth" on Friday night at the Capitol Theatre. The audience was treated to talks, readings, and slides by Richard Cannings (being from the riding Castlegar's in as opposed to Nelson's, he's my MP!), Briony Penn, and J.B. McKinnon. The inimitable Bill Richardson was MC for the evening.
 The recently rebuilt/refurbished/repurposed old CPR Station building housed the Saturday panels where various aspects of the writing life were discussed. The first one was "Writing the Land",  moderated by Calvin Wharton and featuring (left to right) J.B. McKinnon, Eileen Pearkes, Briony Penn, and Grant Lawrence



Next up was a panel that looked at the state of children's literature in Canada, appropriately titled "Once Upon a Time". Verna Relkoff moderated this one which included Murray Kimber who illustrates children's books (among other things), Caroline Adderson, and Jill Barber. The consensus? Canada's children's literature is doing just fine!


What Nelson literary event would be complete without Tom Wayman? (Answer: None.) Here he is, moderating the afternoon panel that looked at the state of publishing in Canada these days. 

Nancy Wise of Sandhill Book Marketing, Julian Ross of Polestar Press fame and calendars, and New Star's Rolf Maurer took on the "Publishing: Perish or Prosper" panel. Consensus on this one? Somewhat grim; although that might be just me.



At the festival's Saturday night wind-up Bill Richardson read from new fiction he's working on as well as sharing a few of the wonderful poems in his latest book, The First Little Bastard to Call Me Gramps: Poems of the Late Middle Ages. 

A pensive Bill. Probably hatching a new poem.

Bill shared the stage with Caroline Adderson who read from her latest book, Ellen in Pieces. Both Bill and Caroline have given readings in Nelson before, when the Kootenay School of Writing (the ad hoc local committee that sought funding from Canada Council to bring in readers, not the Vancouver off-shoot) was organizing such events. If memory serves (and it should be noted that mostly, it doesn't), Bill was here in around 1991when Queen of All the Dustballs came out, and Caroline was here a few years later when she was touring with her short story collection, Bad Imaginings.
Something new at EMLF this year was the Holley Rubinsky Memorial Blue Pencil Sessions, funded in part by a generous bequest from Holley who died last August. Caroline Adderson was the writer-in-residence for this and from what I hear those who took advantage of the 40-minute one-on-one sessions got marvellous feedback from her.

Just some of the folk who came out for the Saturday panels.
And finally, if I was looking for the one photo to sum up the energy and attention to detail that EMLF organizer Anne DeGrace puts into it, this is the one. She does everything!